20th October 2024 Meredith MacLeod Davidson: 'Host for \ Red Haze \' A new poem by Meredith MacLeod Davidson
3rd September 2024 Will Fleming: Two Poems "still waiting to | be fairly | recorded in the book of love"
Blog • 11th March 2024 Carolin Meyer: 'Solastalgia' "These digital images are the result of an experiment in visualising Solastalgia—a neologism combining the word ‘sol’ for sun and ‘nostalgia’, a melancholia or homesickness for a place of lost time."
Blog • 12th February 2024 George Cooper: 'The retail centre cannot hold' Once a byword for numbing homogeneity, IKEA struck me, then, as a sanctuary for the over-stretched.
5th February 2024 Scott Inniss: Two Poems "This poem stashes language from my academic book proposal."
31st January 2024 Paul Norris: 'Ashbery's Vague Renaissance' "Writers of the English Renaissance are often ‘fine’ for Ashbery, and bring with them a vague opulence."
9th January 2024 Lewis Barnes: 'Ryuichi Sakamoto: Conserving the Future' “I am working on things that will only be understood by the grandchildren of the 20th century.”
7th January 2024 Jess Payn: 'dark side of' This piece clutches at coincidence, which lately includes the recurrence of the moon.
Issue 6 • 18th December 2023 Rose Higham-Stainton: 'Chora' "Before we can speak the words or tell the stories there is the chora—caught on a tailwind, lifting elongated, vibrating around the larynx and in the hollows of our cheeks like drumskins."
15th December 2023 Sophie Edwards: 'Photography' "This series of works is a reappreciation of blu tac."
23rd November 2023 Will Burns: 'Complex Viewing' In Ryūsuke Hamaguchi’s recent anthology film Wheel of Fortune and Fantasy (2021) chance continually draws attention to the understated complexity of the mundane.